It has always puzzled me why it is that museums are not open
at 7 am. Don’t the tourism authorities realize that daylight is burning?
So I had to wait until 8:30 am for the National Museum
in Chiang Saen to open. Fortunately I had sacrified two of my socks (the ones
with holes) as towels to clean my motor bike, and by the time the museum opened
it was back to its sleek condition.
A very fine museum it is, although when they call it
“national” they are of course referring to the time when Chiang Saen was a city
state. The museum has a small but interesting collection of Mesolithic and
Neolithic implements, and a great collection of stellae documenting the history
of the city. A suitable number of artifacts from the 12th to the 18th
century are displayed, and then the tenor of the exposition changes to become
more ethnographic, with an excellent collection of textiles and every day
implements from the many mountain tribes from the surrounding area.
I had vowed not to visit another temple, but I couldn’t
resist the ruins of Wat Pa Sak, where besides the foundations of a very large
temple complex there is a fabulous chedi
still standing. It is all brick work, and hence quite different from the gold
and silver temples I have seen so far, but clearly was a grandiose structure in
its time. And then there is more of the city wall to follow, and then there is
another temple, and then … basta! Clearly I could spend the whole day here,
going from one archaeologic site to the other.
My next stop was the epicenter of the Golden Triangle; that
is, the point where Thailand ,
Myanmar , and Laos come
together. It is the beautiful confluence of the Mekong and Nam Ruak Rivers but its main claim to fame is its
checkered past as one of the main producing areas for opium and heroine. There
is no real town here, but its dark history is commemorated by two museums: The
House of Opium and the Hall of Opium. The first one is the brain child of a
tourist shop and is a little bit dinky. Still, it has samples of the opium
poppy, Papaver somniferum (sorry,
Californians, but our golden poppy is not even in the Papaver family), which is a big, purple flower, which after a few
days discards its petals and leaves behind a seed pod the size of a lime. The
opium-bearing sap is produced by cutting slits lengthwise on the pod, out of
which oozes a white sap. The sap is left to harden overnight, and the following
morning the brown dried sap is scraped with a curved knife and new slits are
cut in. After a dozen slits have been cut the pod is left to dry, and a few
hundred seeds are collected from each for planting the following year (the
poppy seeds have no opium in them, so those of you that pretend getting high on
poppy seed muffins can cut it out).
The scrapings of sap (a tiny fraction of a gram each) are compacted
together in the from of 1 kg bricks, with each farmer being able to produce
about one brick per acre. The bricks are brought to market, and that is where
the fun begins. In the old times the bricks were dissolved in hot water, and
filtered through cloth several times. Once clean of impurities the opium soup
would be boiled down to form a thick gum, which then rolled into balls and be
ready for distribution. At the place of consumption little pieces of the gum
would be rolled into a small, pellet size ball, ignited in a small burner,
dropped in the bowl of a pipe, and the vapors would be inhaled by the addict,
who would typically be laying on his side, with his heels up his buttocks
(seems undignified to me, but apparently that was the accepted practice). The
small museum ends with an amazing display of scrapers and pipes, and a
“tribute” to one of the last drug lords of Thailand , who was still hard at his
trade in the 1970’s.
The second museum is called The Hall of Opium, and is the
brainchild of the Princess Mother (deceased), who made it a mission to free her
people of the addiction to opium (and its derivative heroine). It is a dazzling
museum, which you enter through a tunnel where eerie music plays as you pass
scenes of the type you would expect at The Gates of Hell. With wonderful
displays you are taken through the history of opium (from the Mediterranean to Samarkand to India
to China to southeast Asia),
the Opium Wars between China
and England ,
the medicinal uses of opium and its derivatives (morphine, laudanum, and
heroine), and the nightmarish world of addiction. With remarkable candor the
museum retells the story of the exploitation of opium by Thailand for income
purposes (the Tax Board was once called the Excise and Opium Board, when 20% of
the national income came from the opium trade) until the 1970’s, when Thailand
joined the rest of the civilized world by outlawing opium. This is where the
Princess Mother (i.e., the mother of the current king) comes in: Aware that the
tribes of the north had relied on opium as their sole cash crop, she made sure
that extension services were available to help these tribes to diversify their
agricultural base, and work hard to provide schools, health facilities,
education, and opportunities for the mountain tribes.
Today Myanmar
is still an important source of opium gum, with minor quantities being produced
by Thailand and Laos (and Mexico , for that matter). The main
producer, however, is Afghanistan ,
which surprised me very much. I cannot imagine a greater difference of climate
between the luscious mountains of north Thailand
and the bare, rocky canyons of Afghanistan ,
but Papaver somniferum seems to be a
very hardy plant, and as long as there is a rainy season for the initial stages
of growth, it does not seem to mind a dry maturation stage. But enough about
opium. It was time for me to abandon the highlands and head south, in search
for new adventures.
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